Monnica of North Africa
Monnica of North Africa
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Monnica of North Africa
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Posted by Bishop Robert Lyons at 3:36 PM 0 comments
I suppose it was inevitable. The question "What are you doing?" was finally brought up concerning my recent postings about the Diocese of Saint Andrew. So, to clear a few things up...
Posted by Bishop Robert Lyons at 8:59 PM 0 comments
Labels: Diocese of Saint Andrew, Update
The Scriptures: God’s Word or Man’s
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Posted by Bishop Robert Lyons at 8:57 AM 0 comments
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Posted by Bishop Robert Lyons at 12:36 AM 0 comments
Labels: Update
Anyone who has visited my home and looked at my office knows that I am a liturgical geek. I love the Liturgy of the Church. I have so many books on Liturgy that it boggles my mind how I managed to find them… and, without attempting to sound too vain, I can usually find what I am looking for in them in just a few moments. (Go ahead, test me sometime!) I have altar and pew books of the west and the east… Maronite, Anglican, Roman, Ambrosian, Byzantine, Methodist, Armenian, Lutheran, Moravian… and probably several more. I have book upon book that gets into the history of the liturgies, their evolution, their textual sources. I just love the Liturgy.
Virtually every liturgical tradition in the Christian Church has something of appeal, something that speaks to my soul. Sometimes its the comprehensive view of salvation history provided in the Byzantine and Syriac Eucharistic prayers. At other times it is the noble simplicity of the liturgies of the Latin tradition. I’m hard pressed to find a liturgy in Christendom which I cannot find value and worth in.
And therein lay my problem...
From the time I picked up my first liturgical textbook, I have been a liturgy addict. Recently I was sharing with a friend the various liturgical rites I have celebrated in over the past 12+ years of presbyteral ministry. I present them here, in order:
The modern Roman Rite (June - October 1997)
The 1928 Book of Common Prayer (October 1997 - December 1997)
The Anglican Missal and The Anglican Breviary (December 1997 - January 1999)
The Anglican Missal and the 1928 BCP January 1999 - May 1998)
The 1929 Scottish Book of Common Prayer (May 1998 - May 1999)
The 1892 Book of Common Prayer (May 1999 - July 2001)
The 2001 Primitive Episcopal Book of Common Prayer (July 2001 - January 2003)
Various Local Use Liturgies based Western Rite sources (January 2003 - December 2004)
Western Rite Liturgy of the Synod of Saint Timothy (December 2004 - December 2005)
Eastern Rite (Syriac) Liturgy of the Synod of Saint Timothy (December 2005 - March 2007)
Divine Liturgy of the Evangelical Orthodox Church (March 2007 - June 2008)
Various Local Use Liturgies based on Eastern and Western Sources (June 2008 - Present)
These are the rites I have consistently celebrated during that time. This does not count the other rites I have celebrated, sometimes as a one-off or on occasional visits to congregations with other rites. The consistent tally, however, amounts to twelve different liturgical schemes. Granted, several have a family relation (from October 97 to January 03 I used variations on the classical BCP), but of late I have realized that I have never really firmly solidified my personal liturgical spirituality. Why?
First, while my Theology has become much more entrenched and rooted over that time, my ability to find liturgies that reflect my beliefs has expanded immensely. I see things in many liturgies that both serve to enhance and detract from my beliefs. This becomes a problem, however, because it approaches what could easily be identified as ‘cafeteria’ Christianity. Most who know me know that this doesn’t describe my beliefs, but looking at the listing of liturgical jaunts I have taken, I am not sure if you could tell that.
Second, being a liturgist, I find that it is in celebrating various rites that I truly come to understand their beauty, significance, and vitality. This is troublesome because this requires one to impose their own liturgical desires on a congregation (something I think I can be safely accused of having done in the past).
There is, however, a vital need for providing a spiritual foundation that is well rooted which consistent liturgy is key to. When one doesn’t consistently practice a specific liturgy (whatever liturgy it may be), one isn’t growing in a system - they are pool-hopping. While the occasional visit to a liturgy that differs from one’s own can be an outstanding thing, practicing a regular merry-go-round with the Liturgy is quite another thing indeed.
And so, it is with a heavy heart that I have to admit to myself and to many others that I am a liturgical schizophrenic. My mind and heart are touched by so many things that they haven’t really formed a particular attachment to anything. Further, such a practice has increased in me a discord when it comes to the rites and ceremonies of the Church, the Church Year’s composition, etc. I desperately want to see something better – the best Liturgy ever – and yet I realize each time I think I find something great, that something greater still lay just beyond the horizon, waiting to be discovered.
Myself, I know I need to settle down and embrace a specific liturgy and ritual, and I need to do it soon. It needs to be a liturgy and ritual that I share in common with others (even if it is only with my own diocese), and one that will allow me to focus not on how to make the Rite better, but on how to direct my energies to bring people to the Rite so that they may be brought into full communion with our Lord Jesus Christ, the Savior of the Word.
Posted by Bishop Robert Lyons at 1:09 PM 2 comments
Labels: Liturgy
Posted by Bishop Robert Lyons at 5:41 PM 0 comments
Labels: Eucharistic Bread, Sacraments
Posted by Bishop Robert Lyons at 11:23 PM 0 comments
Labels: Book Reviews, Liturgy
Posted by Bishop Robert Lyons at 9:53 PM 1 comments
Labels: Our First Child
Star Trek roared onto movie and IMAX screens tonight as the film received it’s general release. While I am preparing an article for my column over at TrekMovie.com on the film’s adaptation by Alan Dean Foster, I wanted to present my review of the film here in greater detail. The following review is broken down on several levels, and will be spoiler-laden. Reader beware. All assessments are on a five point scale.
MAIN STORY – 1
If you’ve seen Star Trek II: The Wrath of Khan, you’ve seen a lot of this movie. Nero (Eric Bana) is a Romulan miner whose wife (among billions of others) is killed when a supernova wipes out Romulus. This sets in motion a desire for pure revenge that will only be quenched when Spock is made to equally suffer for his perceived sins. Just bare Bana’s chest and you have a near clone of Khan. Such a pity to rely on the ‘horrible baddy with personal vendetta’ line to bring about a new era in Trek.
ACTING – 3
Most of the acting in Star Trek is very good, though a few folks stand out. Karl Urban (McCoy) easily walks away with the best performance of the film, with Zoe Saldana (Uhura) coming in a close second. Both Chris Pine (Kirk) and Zachary Quinto (Spock) deliver good performances that bode well for the inevitable sequel. Chris Hemsworth (Kirk, Sr.) delivers an outstanding –if all too brief – performance as Kirk’s father, with Jennifer Morrison (Kirk’s mother) doing an equally amazing job. Their work together in the first major pivotal scene in the film is some of the best acting in the entire flick, and will almost certainly make any fan get misty-eyed. Ben Cross (Sarek) would be a very welcome retention in any future film. His work was very much his own, but also very much what one would expect from the father of Mr. Spock. Winona Ryder’s take on Spock’s mother was fair enough, though given the amount of her screen time that was cut out of the film, it’s hard to make a good judgment on her work in the role from what we see.
Bruce Greenwood’s portrayal of Captain Christopher Pike is something of a 50/50 proposition. While I accept that the movie’s function was to get people to accept a new cast and crew for a new series of Star Trek adventures, Pike really winds up with the short end of the stick. Greenwood plays well a role that comes across feeling very compromised due to the story’s service of Kirk and Spock. As a major fan of Christopher Pike, I was terribly disappointed with how he was used, but find myself immediately and instantly placing Greenwood’s Pike in place of Hunter’s (no disrespect intended to Jeffrey Hunter, as his Pike was excellent, but there was something a little extra about how Greenwood played the part.)
Simon Pegg's (Scotty) performance was acceptable, if not a bit over the top; and John Cho (Sulu) was also acceptable. While Sulu was given more to do this time out, I still feel more could be done with his part in the future. Turning Pegg and Cho into deeper characters will only help their roles in future films.
Leonard Nimoy’s (Spock ‘Prime’) was touching to see on screen, even if it suffers from the direction of the film. He still has the acting chops to pull off the most endearing role in Star Trek history, even after forty-five years (the first pilot, “The Cage” was shot in 1964).
Bana (Nero) and Ayel (Collins, Jr.) are simply cardboard cutout villain and henchman, who could easily have been played by anyone else. The fact that they won’t be in a sequel is no great loss. And, since continuity is now totally open to reformulation, I look forward to finding a way to jettison Anton Yelchin’s Chekov, mainly because he was basically a 1st season TNG Wesley Crusher with a wery, wery bad Wussian accent. I like Yelchin. I hate his take on Chekov.
SCIENCE – 1
Besides getting some technical advice on Saturn’s moon, Titan, and reminding the special effects artists that space is a three-dimensional environment, what the heck did the filmmakers bother to hire a science advisor for? The science is awful. There are so many inconsistencies in the ‘science’ of this new Star Trek that it would make your heads spin to just think about it. How did Nero and Spock get thrown back in time? A black hole you say? Really? And what about this red matter business – one little syringe full and ‘poof’, you get a black hole? Warping from Earth to Vulcan in, what, an hour or two? Seeing Vulcan destroyed from light years away while standing on Delta Vega? Delta Vega (regardless of its location) back to earth in under ten minutes? ‘Transwarp Beaming”? Come on! This Star Trek outing isn’t Science Fiction, it’s just fiction.
THE LOOK – 3
I love the more formal (gray and red) academy uniforms, and even the Kelvin era uniforms look pretty good. I don’t care for the new take on the TOS uniforms, the Apple Store bridge, the Titanic-esque engine room, the fan blades everywhere, and the hideous outfits that the Admirals at the Academy were wearing (as well as that horrible TMP-esque business that Pike wore at the end of the film). Admittedly, however, the new uniforms tend to blend out in wide shots, only becoming truly annoying in close-ups. Oh, and the moon boots, they have to go. The Vulcans are well designed, and their planet is amazing. San Francisco appears to be a bit busy, but otherwise OK. Nero’s ship, the Narada, is just plain crazy looking, and the crew is all decked out in typical baddie attire.
PRODUCT PLACEMENT – 0
A Nokia car phone… A Budweiser at the bar… I don’t want product placement in my Star Trek. Epic Fail.
SPECIAL EFFECTS – 4
This is a summer action flick, it has to have great SFX. While I still hate the use of CGI, it is pretty good in this film (though, ironically, I prefer the CGI in “Nemesis” better). Some scenes are very obvious (long shots of the fighting on the drilling rig in painful particular), but for the most part, the CG is pretty seamless with the live action. The Narada was an overkill, future Spock’s ‘jellyfish’ was about the most annoying ship I have ever seen in a Star Trek film or episode, and the transporter effect was abysmal. My opinion of the new Enterprise softened a bit, though I still think improvements could have been made to the ship…
DIRECTION, EDITING, and PACING – 2.5
For the most part, director J.J. Abrams did a very good job, as long as you don’t mind lens flares. My main objection to his directing style centers around his use of Nimoy’s Spock, who seems constantly rushed in every scene. Is this a direction or editing issue? I can’t tell, but it limit’s Nimoy’s effectiveness in the role. A particularly bad decision is the mind-meld sequence between Nimoy and Pine that simply fell flat with me. The misuse of Nimoy's time on screen is a absolute disappointment.
OVERALL – 2.5
The movie is a fun action flick, and I’ll definitely go and see it again; but I, both as a fan and as a person who wanted to see a complete reboot, find the film to be a disappointment. That being said, the ending of the film aboard the Enterprise sets us up for an adventure that can be worthy of the Star Trek name in the future. I think that Orci, Kurtzman, and company can deliver such a film now that the business of re-establishing the Star Trek universe has been completed.
MY NEW RANKING OF TREK FILMS:
As it stands this morning, after seeing Trek XI once...
I am sure this will change in the future.
Posted by Bishop Robert Lyons at 11:24 PM 3 comments
Labels: Star Trek
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